Homer’s Divine Audience: The Iliad’s Reception on Mount Olympus eBook

$39.99

The gods of Homer’s Iliad have troubled readers for millennia, with many features of their presentation seeming to defy satisfactory explanation.

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About this eTextbook

The gods of Homer's Iliad have troubled readers for millennia, with many features of their presentation seeming to defy satisfactory explanation. Homer's Divine Audience presents and explores a new ‘metaperformative' approach to scenes of divine viewing, counsel, and intervention in the Iliad, referencing the oral nature of the poem's original composition and transmission to cast the Olympian gods in part as an internal audience, who follow the action from their privileged, divine perspective much like the poet's own listeners. Although critics have already often described the gods' activities in terms of attendance at a ‘show' and have suggested analogies to theatre and sports, little has yet been done to investigate the particular strategies by which the poet conveys the impression of gods attending a live, staged event.

This volume's analysis of those strategies points to a ‘metaperformative' significance to the motif of divine viewing: the poet is using the gods, in part, to model and thereby manipulate the ongoing dynamics of performance and live reception. The gods, like the external audience, are capable of a variety of emotional responses to events at Troy; notably pleasure and pity, but also great aloofness. By performing the speeches of the provocative, infuriating, yet ultimately obliging Zeus, the poet at key moments both challenges his listeners to take a stake in the continuation of the performance, and presents a sophisticated critique of possible responses to his poem.

ISBNs for Homer's Divine Audience are 9780192579775, 0192579770 and the print ISBNs are 9780198842354, 019884235X. Additional ISBNs include 9780192579768.

Publication details

Author: Tobias Myers
Publisher: OUP Oxford

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About this eTextbook

The gods of Homer’s Iliad have troubled readers for millennia, with many features of their presentation seeming to defy satisfactory explanation. Homer’s Divine Audience presents and explores a new ‘metaperformative’ approach to scenes of divine viewing, counsel, and intervention in the Iliad, referencing the oral nature of the poem’s original composition and transmission to cast the Olympian gods in part as an internal audience, who follow the action from their privileged, divine perspective much like the poet’s own listeners. Although critics have already often described the gods’ activities in terms of attendance at a ‘show’ and have suggested analogies to theatre and sports, little has yet been done to investigate the particular strategies by which the poet conveys the impression of gods attending a live, staged event.

This volume’s analysis of those strategies points to a ‘metaperformative’ significance to the motif of divine viewing: the poet is using the gods, in part, to model and thereby manipulate the ongoing dynamics of performance and live reception. The gods, like the external audience, are capable of a variety of emotional responses to events at Troy; notably pleasure and pity, but also great aloofness. By performing the speeches of the provocative, infuriating, yet ultimately obliging Zeus, the poet at key moments both challenges his listeners to take a stake in the continuation of the performance, and presents a sophisticated critique of possible responses to his poem.

ISBNs for Homer’s Divine Audience are 9780192579775, 0192579770 and the print ISBNs are 9780198842354, 019884235X. Additional ISBNs include 9780192579768.

Publication details

Author: Tobias Myers
Publisher: OUP Oxford

What you receive

A licensed digital edition of this title, supplied as PDF or EPUB. The format is set by the publisher, so email us the ISBN before ordering and we will confirm which one it is.
Delivered to the email address on your order as a secure download link, usually within minutes and always within 24 hours of payment.
Download links do not expire and there is no cap on re-downloads. Readable on any computer, tablet or phone, online or offline.
This is a digital edition. Nothing is printed, packed or posted, and there is no delivery charge.