Eugene O’Neill and the Ashcan Artists: The Influence of the New York Art Movement on the Plays eBook

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About this eTextbook

Eugene O'Neill lived with the artist George Bellows in the early twentieth century; met Robert Henri, the leader of the future Ashcan School; and knew John Sloan, who etched O'Neill at the Lincoln Arcade studio on Upper Broadway. These visual artists made a profound impression on the future playwright, and when O'Neill began writing plays in 1913, he drew upon the images he had first seen on canvas or paper. This book presents the centrality of New York City on Eugene O'Neill's imagination-the notorious Tenderloin section, Greenwich Village, the Lower East Side, Fifth Avenue, and Gramercy Park-and it does so through the brushes, pens, plates, and stones of the Ashcan artists.

The sixty images herein reveal the shared aesthetic sensibilities between all the respective artists and foreground the honest, unflinching, and simple beauty that O'Neill sought to portray in all of his dramatic works: from the early one-acts with the Provincetown Players, to the Broadway blockbusters in the 1920s, and culminating with the posthumously-produced plays he wrote in near seclusion to conclude his career.

Publication details

Author: Zander Brietzke
Publisher: McFarland
eText ISBN: 9781476654485, 1476654484
Print ISBN: 9781476694672, 1476694672

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About this eTextbook

Eugene O’Neill lived with the artist George Bellows in the early twentieth century; met Robert Henri, the leader of the future Ashcan School; and knew John Sloan, who etched O’Neill at the Lincoln Arcade studio on Upper Broadway. These visual artists made a profound impression on the future playwright, and when O’Neill began writing plays in 1913, he drew upon the images he had first seen on canvas or paper. This book presents the centrality of New York City on Eugene O’Neill’s imagination-the notorious Tenderloin section, Greenwich Village, the Lower East Side, Fifth Avenue, and Gramercy Park-and it does so through the brushes, pens, plates, and stones of the Ashcan artists.

The sixty images herein reveal the shared aesthetic sensibilities between all the respective artists and foreground the honest, unflinching, and simple beauty that O’Neill sought to portray in all of his dramatic works: from the early one-acts with the Provincetown Players, to the Broadway blockbusters in the 1920s, and culminating with the posthumously-produced plays he wrote in near seclusion to conclude his career.

Publication details

Author: Zander Brietzke
Publisher: McFarland
eText ISBN: 9781476654485, 1476654484
Print ISBN: 9781476694672, 1476694672

What you receive

A licensed digital edition of this title, supplied as PDF or EPUB. The format is set by the publisher, so email us the ISBN before ordering and we will confirm which one it is.
Delivered to the email address on your order as a secure download link, usually within minutes and always within 24 hours of payment.
Download links do not expire and there is no cap on re-downloads. Readable on any computer, tablet or phone, online or offline.
This is a digital edition. Nothing is printed, packed or posted, and there is no delivery charge.