Recording the Classical Guitar: Repertoire, Performance, and the Shaping of Musical Identity in the Twentieth Century eBook
$25.00
Repertoire, Performance, and the Shaping of Musical Identity in the Twentieth Century Recording the Classical Guitar charts the evolution of classical guitar recording practice from the early twentieth century to the present day, encompassing the careers…
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About this eTextbook
Repertoire, Performance, and the Shaping of Musical Identity in the Twentieth Century Recording the Classical Guitar charts the evolution of classical guitar recording practice from the early twentieth century to the present day, encompassing the careers of many of the instrument’s most influential practitioners from acoustic era to the advent of the CD. A key focus is on the ways in which guitarists’ recorded repertoire programmes have shaped the identity of the instrument, particularly where national allegiances and musical aesthetics are concerned. The book also considers the ways in which changing approaches to recording practice have conditioned guitarists’ conceptions of the instrument’s ideal representation in recorded form and situates these in relation to the development of classical music recording aesthetics more generally.
An important addition to the growing body of literature in the field of phonomusicology, the book will be of interest to guitarists and producers as well as students of record production and historians of classical music recording. ISBNs for Recording the Classical Guitar are 9781351371407, 1351371401 and the print ISBNs are 9781138554689, 1138554685. Additional ISBNs include 9781315149134, 9781138554702, 9781351371414, 9781351371391.
Publication details
- Author: Mark Marrington
- Publisher: Routledge
- Additional ISBN: 9781315149134, 9781138554702, 9781351371414, 9781351371391
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About this eTextbook
Repertoire, Performance, and the Shaping of Musical Identity in the Twentieth Century Recording the Classical Guitar charts the evolution of classical guitar recording practice from the early twentieth century to the present day, encompassing the careers of many of the instrument’s most influential practitioners from acoustic era to the advent of the CD. A key focus is on the ways in which guitarists’ recorded repertoire programmes have shaped the identity of the instrument, particularly where national allegiances and musical aesthetics are concerned. The book also considers the ways in which changing approaches to recording practice have conditioned guitarists’ conceptions of the instrument’s ideal representation in recorded form and situates these in relation to the development of classical music recording aesthetics more generally.
An important addition to the growing body of literature in the field of phonomusicology, the book will be of interest to guitarists and producers as well as students of record production and historians of classical music recording. ISBNs for Recording the Classical Guitar are 9781351371407, 1351371401 and the print ISBNs are 9781138554689, 1138554685. Additional ISBNs include 9781315149134, 9781138554702, 9781351371414, 9781351371391.
Publication details
- Author: Mark Marrington
- Publisher: Routledge
- Additional ISBN: 9781315149134, 9781138554702, 9781351371414, 9781351371391
What you receive
- A licensed digital edition of this title, supplied as PDF or EPUB. The format is set by the publisher, so email us the ISBN before ordering and we will confirm which one it is.
- Delivered to the email address on your order as a secure download link, usually within minutes and always within 24 hours of payment.
- Download links do not expire and there is no cap on re-downloads. Readable on any computer, tablet or phone, online or offline.
- This is a digital edition. Nothing is printed, packed or posted, and there is no delivery charge.
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